#AtrangiRe #JaiBhim #Shershaah #AkshayKumar #SidharthMalhotra #Suriya
Audience taste and priorities have changed post-pandemic and so is the film business model. OTT was earlier widely seen as a medium favored by Elite Class mostly headlined by the classic thrillers influenced by western style of film making. With the success of #Laxmii #Shershaah #BellBottom #JaiBhim and recent announcement of Direct-To-Digital Premiere of Superstar #AkshayKumar starrer #AtrangiRe also featuring #Dhanush & #SaraAliKhan post #Sooryavanshi has raised many eyebrows. This gives us a food for thought if OTT can be a boon for film business rather than its alternative (regular narrative) ? Lets Discuss…
“#Sooryavanshi creates Havoc, it has gone into overdrive in the afternoon shows, recording phenomenal collections at the box office”
#BoxOfficeIndia
#Sooryavanshi was greeted with HOUSEFULL shows at most centres which revived the film exhibition and film trade. It recorded 184.93 Cr. All India Net. & 281Cr. Worldwide Gross and was declared a SUPERHIT at the boxoffice. Trade was optimistic and was hoping atleast a double digit opening from its next mass entertainers #SatyamevaJayate2 featuring #JohnAbraham & #AntimTheFinalTruth starring Superstar #SalmanKhan & #AayushSharma . The Milap Zaveri directorial #SMJ2 which was a sequel to the loved mass entertainer targeted preferably at the masses could not get the paid public back as it clocked in an underwhelming 2.75Cr Net Day1 (BOI) sending shock waves across the trade. #Antim starring Salman Khan known for record collections opened to a similar response. This shows paid public majorly neutral audience are yet not fully ready to watch films in theatres and might wait for event films only like #Sooryavanshi #83 #RRR #Prithviraj.
“#AntimTheFinalTruth below the mark start at the boxoffice”
#BoxOfficeIndia
Trust the One-Man-Industry #AkshayKumar to know the film business at the back of his hand. He was the 1st to sign a PAN India film #2Point0. When other stars were relaxing at their farmhouse during Covid, Khiladi Kumar paved the way for an OTT Digital Premiere for his horror thriller #Laxmii which was lapped up by the public on Digital (Hotstar) & satellite alike. His recent release #BellBottom which was a fractured release (900 Odd Screens) PAN India to signal #UnlockingTheCinemas without Mumbai emerged a massive blockbuster on OTT when released on #AmazonPrimeVideo
- #BellBottom was watched by viewers in over 98% Pin Codes across India
- The plane-hijack thriller was streamed in 199 countries & territories around the world
- #Shershaah an OTT release became the Most Viewed Film on AmazonPrime in India
- #JaiBhim starring Tamil Star #Suriya became the Top-Rated Indian Film on IMDB
- As per rumours makers of #AtrangiRe have raked in 200Cr for the OTT release
- OTT has wider reach than theatres and is available at the comfort of your home
- Films have a success rate of 5-10% from theatrical revenue with major small/medium budget films hardly getting noticed and ending up as a losing affair
- A Direct to Digital Premiere business model is best for medium/small budget films as it gets a better deal from OTT platforms
- It hardly needs a physical infrastructure and can be accessible from all locations irrespective of region/locality
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